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Jean Shepherd
...still lurking in the darkness

Those who have seen the 1983 movie "A Christmas Story" know Jean Shepherd
as the voice of Ralph Parker as an adult. Others who grew up in the New
York Metropolitan area during the 50's, 60's and 70's may recall the
nightly radio show he did on WOR 710AM five nights a week for forty-five
minutes and the two-hour Saturday night "Live at the Limelight" shows.
You may have read one of his books, or one of his short stories in
magazines such as Playboy, the Village Voice or Car and Driver to name a
few. If you watch the Mets, you heard him doing the Rheingold Beer
commercials in the 70's and if you have been to Disney World, it is his
voice that takes you on the journey through the "Carousel of Progress".
Born July 26, 1921,
Jean Shepherd began his radio career 1948 in
Cincinnati working for WCKY, WKRC, and WSAI where he
was hired as a DJ, but preferred to spin tales rather than records which
often got him in trouble
In 1951 he moved to Philadelphia and was heard on KYW until 1953 when he
returned briefly to Cincinnati's WLW. It wasn't until he moved to New
York sometime in 1954 or 1955 that he settled down to a long career on
WOR.
Here, he spent the next 22 years talking to "me". Every Jean Shepherd
listener will tell you that, as he sat there in front of the radio, or
had it tucked beneath his pillow, Shep was talking only to "me". He had
a method of talking as if he were sitting in your living room holding a
casual conversation, discussing auto racing, or a recent trip abroad.
At first Shep did his show from the WOR transmitter site in Carteret, NJ
from 1:00am until 4:30am five nights a week. For three and one half
hours, he talked uninterrupted. He played no music and only broke stride
for the occasional commercial, which he detested. Many commercials were
done live and he would constantly poke fun at the sponsors. Management
hated it, the listeners loved it, and the sponsors endured it. Sometime
around 1961 he settled into a 45-minute nightly format, which was heard
in the 9:15, 10:15 or 11:15 timeslots.
But it was in 1956 that Shep drew attention by having his "Night People"
followers go into book stores all over the city asking for the book
called "I Libertine" The book ultimately made the New York Times Best
Seller List before ever being printed. At this point he worked with Ted
Sturgeon and Ballantine Books, to come up with the story and write the
book.
Another stunt he liked to pull, was the hurling of invectives. He would
instruct his listeners to place their radios in the open window of their
house and turn the volume way up. He would then yell over the radio
things like, "You filthy pragmatists, I'm going to get you!"
Every night the show was different. Often the subject was related to the
season, holiday, or a trip he may have taken. Other nights he would tell
a childhood or Army story, many of which ended up in written form in
Playboy, Car and Driver, or in one of his four books. Some even went on
to become movies. He did four for PBS and two for commercial release,
the most well known being "A Christmas Story".
He always told a story in the first person, because he felt it was more
believable to the listener. He was so convincing that many felt he was
telling real stories of his childhood. Shep constantly claimed that it
was all fiction, although he did have friends named Flick and Schwarz.
Shep often said that there was 5 to 10 hours of preparation for each of
his nightly shows, and yet fellow WOR personality Barry Farber, and one
of his engineers, Herb Squire say that it all came from the top of his
head. Herb claims that Shep would come into the studio with only a scrap
of paper with a few notes, or perhaps an article someone had sent him.
He would sit down behind the mike, and as the theme song (Bahn Frei by
Eduard Strauss) would play Shep would ease into 45 minutes of non-stop
chatter. He would start out talking about a particular subject, and
through the course of the show, would side track to other related
topics. But as his theme music at the end of the show came to a close he
managed to tie it all together and bring the show to an end.
There were serious moments, when he read from Robert Service or George Ade
or some poetry often with background music for effect. Other times he
could be silly, singing "Yes sir, that's my baby...", playing the Jews
Harp, Kazoo, or Nose Flute to "The Bear Missed the Train". In between he
told stories or gave us an education in such things as the chief exports
of Bolivia, the inner workings of a steel mill, how ham radio works, or
he spoke about the aggression of man, King Tut and Antique Cars. Shep
touched upon almost every subject, yet managed to stay away from deep
discussions involving politics and religion. When he did a whole show
about the March to Washington in 1963, he spoke not of the events that
took place, but described what went on around him. He spoke of the
people that were there, how everyone got along, and the general
atmosphere surrounding the day's events.
Shep's radio career spanned the gap between the time when radio shows,
such as The Lone Ranger, and The Shadow, were fading into the sunset,
and the modern forms of syndicated talk radio came to being. Although he
only reached a small market in comparison to today's syndicated shows,
there are thousands of people today who will sit up and take notice at
the first note of the Bahn Frei theme and remember those days when Shep
was talking to them while they lay in bed listening.
Radio was only one of the media in which he worked. His four books, "In
God We Trust, All Others Pay Cash", "Wanda Hickey's Night of Golden
Memories and Other Disasters", "The Ferrari in the Bedroom", and "A
Fistful of Fig Newtons" were based on many of the stories he told on the
radio or wrote for Playboy. He won the Playboy Satire Award for several
of them.
He made two commercially released motion pictures, "A Christmas Story" and
"My Summer Story" and four movies for PBS, "Phantom of the Open Hearth",
"The Great American Fourth of July and other Disasters", "The
Star-crossed Romance of Josephene Cosnowski", and "Ollie Hopnoodle's
Haven of Bliss".
Through the years, he wrote columns for the Village Voice and Car and
Driver as well as single articles for Mad, National Lampoon, Grump, The
Realist, TV Guide, and Field and Stream to name a few.
When he wasn't writing he did hundreds of live shows at colleges all
across the country such as Rutgers, Fairleigh Dickinson, Seton Hall,
Notre Dame, and 30 annual shows at Princeton. He performed at Carnegie
Hall, Town Hall, Clinton Museum, Dayton Hamvention (as in Ham Radio,
which was one of his hobbies), the Overseas Press Club and many others.
He also appeared on television on such shows as I've Got A Secret, The
Tonight Show, Merv Griffin, and Steve Allen. He did three of his own.
The first was called "Rear Bumpers" which he did for WLW-TV in
Cincinnati. Then he did "Jean Shepherd's America" for PBS for 2 seasons
and "Shepherd's Pie" for New Jersey Public Television.
He recorded 6 LPs, "Into the Unknown", "Jean Shepherd and Other Foibles".
"Will Failure Spoil Jean Shepherd?", "Jean Shepherd - Live at the
Limelight", "The Declassified Jean Shepherd", and "Jean Shepherd Reads
Poems of Robert Service". He also did "The Clown" with Charles Mingus
and a series of audio tapes reading his short stories.
Jean Shepherd was born July 26, 1921 and passed away October 16, 1999.
During those years he achieved a level of success which many have
compared to that of Mark Twain. The books, the movies, and over 5,000
hours of radio in New York alone is an achievement that is not realized
in a lifetime by many people, and Shep did it all without missing a
stride. Memories of his timeless work linger with those who knew him,
like the childhood stories he loved to tell. And even today, as you
listen to one of his old shows from the sixties, it's like he's never
left.
A short bio
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